Derek Webb, formerly of Caedmon’s Call, has enjoyed a prolific solo career, but one that has certainly ruffled feathers in the Christian community. Webb’s bluntness in dealing with some of the tougher issues facing the church today often put him at odds with the very vehicle that delivers his music to the masses.
Such is the case with his latest release, Stockholm Syndrome. It seems Webb pushed the envelope too far with one particular track on the album, causing the label to boot the song off of the album. The song in question, “What Matters More”, which is available as a free download from Derek Webb’s website, discusses the Christian response to homosexuality. Attempting to put homosexuality into proper context, Webb says “we can talk and debate until we’re blue in the face about the language and tradition that He’s coming to save; Meanwhile we sit just like we don’t give a shit about fifty-thousand people who are dying today.” Supposedly, it was the profanity that Webb’s label took issue with.
This is perhaps Webb’s most political release yet, with a lot of attention given to equality and compassion toward homosexuals. Webb pens a message to Fred Phelps (godhatesfags.com) in “Freddie, Please.” But perhaps the most political song on the album is “The State” in which Webb punctuates the danger of trying to tie one’s conscience to civil law. Does it really create a crisis of conscience when the government allows legally things that the Bible does not? Webb asks, “Right and wrong were written on my heart and not just in the laws that condemned me; But now with Caesar satisfied I can even do the things that should offend me.”
In addition to being a very bold album lyrically, Derek Webb is treading in very different waters musically. Opting to explore more electronic beats and sounds in favor of his traditionally stripped-down acoustic sound. It shows a willingness to musically step out of the comfort-zone and really create something new. I think that helps give momentum to the message.
Stockholm Syndrome is a very challenging album. I’m not sure how Caedmon’s Call fans, or even earlier Derek Webb fans would receive it. It’s musically very different, but ultimately I think it works well. There is a very important message that at least needs to be heard.
Derek Webb, formerly of Caedmon’s Call, has enjoyed a prolific solo career, but one that has certainly ruffled feathers in the Christian community. Webb’s bluntness in dealing with some of the tougher issues facing the church today often put him at odds with the very vehicle that delivers his music to the masses.
Such is the case with his latest release, Stockholm Syndrome. It seems Webb pushed the envelope too far with one particular track on the album, causing the label to boot the song off of the album. The song in question, “What Matters More”, which is available as a free download from Derek Webb’s website, discusses the Christian response to homosexuality. Attempting to put homosexuality into proper context, Webb says “we can talk and debate until we’re blue in the face about the language and tradition that He’s coming to save; Meanwhile we sit just like we don’t give a shit about fifty-thousand people who are dying today.” Supposedly, it was the profanity that Webb’s label took issue with.
This is perhaps Webb’s most political release yet, with a lot of attention given to equality and compassion toward homosexuals. Webb pens a message to Fred Phelps (godhatesfags.com) in “Freddie, Please.” But perhaps the most political song on the album is “The State” in which Webb punctuates the danger of trying to tie one’s conscience to civil law. Does it really create a crisis of conscience when the government allows legally things that the Bible does not? Webb asks, “Right and wrong were written on my heart and not just in the laws that condemned me; But now with Caesar satisfied I can even do the things that should offend me.”
In addition to being a very bold album lyrically, Derek Webb is treading in very different waters musically. Opting to explore more electronic beats and sounds in favor of his traditionally stripped-down acoustic sound. It shows a willingness to musically step out of the comfort-zone and really create something new. I think that helps give momentum to the message.
Stockholm Syndrome is a very challenging album. I’m not sure how Caedmon’s Call fans, or even earlier Derek Webb fans would receive it. It’s musically very different, but ultimately I think it works well. There is a very important message that at least needs to be heard.
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